Had a chat this afternoon with Bob Williams, new vice president of SPAH, the Society for the Preservation and Advancement of the Harmonica, and he told me some details about the upcoming SPAH convention in Memphis this July. More could be added, but here is what's known so far:
For starters, Charlie Musselwhite will be a featured performer, and may also teach some classes.
Charlie McCoy may - that's MAY - stop by and say hello, his schedule permitting.
As the festival will be in Memphis and not the traditional midwestern venues, Peter "Madcat" Ruth will not be around to host the Blues Jam (whether he will attend anyway is not known), an open mike session where all comers can sign up and get up to play one number, with a backing group provided. The Jam will be hosted instead by Joyce Cobb, a Memphis club owner and local celebrity, who also plays harmonica. Instead of being held indoors, the Jam may be held in a tent in downtown Memphis as part of the Memphis Music & Heritage Festival, which runs concurrently with the SPAH Convention.
There will be a group calling itseld "The Classics," consisting of Jerry Murad (the Harmonicats), Stan Harper, Charlie Leighton, Fuzzy Feldman, Pete Pedersen and possibly Alan "Blackie" Schackner. With the exception of Murad (and maybe Blackie, I'm not sure), these players have all been members of the legendary Borrah Minnevich's Harmonica Rascals, and will both perform and give a storytelling seminar for devotees of the golden age of harmonica bands.
Even if you're not into harmonica bands, you shouldn't miss these guys. Each one of them is an important contributor to the art of the chromatic and is a helluva musician. You could learn something, Jack.
Also performing will be veteran solo chromatic artist Danny Welton, and nine-year old Kansas-based blues artist Brody Buster.
No word on seminars yet, but I've offered to teach two, one on diatonic and one on chromatic. The diatonic one will be on integrating your sound on diatonic- to get consistent tone, vibrato and articulation even when using bends and overblows, and when dealing with the "squawky" parts of the harp. The chromatic one will be something to do with blues chromatic and possibly jazz - I'm still thinking about it.
SPAH has a bit of a reputation as an irrelavent old fogey's club that offers nothing to younger players but a bad attitude. Should you spend your hard earned money and vacation time on this?
If you'd dig TOTAL IMMERSION in harmonica players, YES.
If you are open to experiencing other playing styles, YES.
If you want to meet other players face to face, from around the country and around the world, YES.
If you'd like to buy harps, accessories and rare recordings at discount prices, and meet the sellers and see their wares directly, YES.
SPAH used to deserve its reputation, but it's come a considerable distance in the last two years, and is a unique and valuable resource.
For more information, contact SPAH, PO BOX 865, TROY MI 48099-865