From: MAKHO~eu.edu Subject: BUYING CHROMATIC Hello, I like the sound of 270 and the response of it to my blow and draw. For its valves. Moreover, it don't have the bright and "resonance" sound of 270. . Does it havea wood comb or plastic comb. How is it compare to 270? harmonica. I believe they are good Harmonica. But do they worth the price
DATE: Mon, 24 Oct 1994 18:26:33 CDT From: Barry Schaede Subject: Re: Blues Blaster Mic - Capacitor
version. I'm working on getting a spanner so that I casn remove that tomorrow. I will report on the results of my quest then. FJM DATE: Mon, 24 Oct 1994 19:08:03 CDT From: Bruce Steinberg
re: <...> Pretty close. Had I seen the original post, I would have responded.
:frequency signals and a closed (or short) circuit to high frequencies. said. Depending on any given resistance that is coupled with the capacitance
:either pass treble or lose treble. pass ALL AC. It takes resistence to create a filter and that filter can out the highs, leaving lows and mids, filter out the lows, leaving highs mics end up with the cap and a volume pot wired as a band pass circuit. The <...> //////////////// Actually, while Rs and Cs can be used to make simple high- or ~can~ be used to create basic high- or low-pass filtering in the
circuit is the vector sum of its DC "resistance," plus something resistance") provided independently by any C (or inductance, L) measured in ohms (although they are always out of phase to some
frequency (1/2[pi]fC), so a given C has an infinite reactance to effectively a dead short for very high frequencies -- even with
~lousy~ conductors at very low frequencies, but get "better" as
simplest and grossest possible low- or high-pass filter, either only help to shape a more specific frequency response (as in
at least out of strictly passive components (i.e., no active amp and Cs can only be combined passively (even in complex
that cap is really doing in the JT-30 :). B* DATE: Mon, 24 Oct 1994 20:22:19 CDT From: Bruce Steinberg
version. I'm working on getting a spanner so that I casn remove that tomorrow. I will report on the results of my quest then. FJM //////////////// Well, even if it were an artifact, that doesn't mean it wouldn't protection, if the mike element were especially susceptible to RF with affecting the audio impedance of the mike. I was talking with James Harmon after a (hot!) gig at the newly FJM; he is one of the most friendly, accessible people you'd discussion on harp-l, and he laughed and said he sends out lots time (see more below). When I mentioned to him how impressively simple his set-up looked pointed closer to a case sitting inconspicuously right under the
homebrew array of EQ and digital reverb electronics (to replace around), he said its front end contains a custom transformer and JT-30. He said that no one is using a JT-30 properly if they impedance is way too high (perhaps another "artifact" of its PA
Winslow? Tim?), but I'd suggest that if anyone is qualified to EQ, and its mystery cap :), it'd be James. He is extremely technically qualified. He makes his own speakers included!), having apprenticed for years to an old speaker master all his gear. (And BTW, for anyone who's feeling bad about not locating Ultimos views on the ultimate supremacy of Marine Bands, or on just about
