Just wondering why a 3 draw always bends down three positions, no matter the key of the harp/monica. For example, the three draw on a C harp (a B) bends to B flat, A, and A flat, while the one draw on an A harmonica (also a B) (I think) (but the question still makes sense if I'm wrong) only bends down one half-tone. Aren't they basically the same reeds?
By the way, try to explain without using the metaphysico-theologo-cosminology approach. (that means complicated physics jargon, if possible)
Thanks and hope this makes sense, Nels ne~icron.net