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From: marc~anukau.ac.nz
Date: Wed, 22 May 1996 16:30:11 +0000
Subject: (Fwd) Re: Playing by ear (was: theory fear)

[Snip]
>
> I'm not saying that the way I've learned to play is the "best" way, there's
> no such thing. It's the way I've learned and it's worked for me to the
> extent that I use my music, which is strictly for personal enjoyment at the
> moment. I tend to think that music, like many other things, lends itself to
> "paralysis by analysis", which is why I tend to avoid analyzing music. I
> read somewhere that analysis is destructive because the thing being analyzed
> is being torn apart bit by bit to determine its nature. When you're all
> done, the thing doesn't exist anymore, except as a pile of torn up bits.
> The opposite is synthesis, becoming one with the music. I prefer to feel
> the music and try to fit into it. Makes more sense to me, but I do
> understand that lots of people like to rip things apart to see how they
> work. :-)
>
> Chon

Thanks Chon, for voicing my opinions. :-) I have
always been one of those people who tore things to pieces to see how
they worked. When I was a child, watches, clocks, toasters and all
kinds of magical devices came to an untimely end in my small hands.

Strangely I ended up with a job in which I tear all sorts of software
to pieces and put them back together in such a way as to be usefull
on our network. I do this well and speak the language well. With
music, which I love deeply, I do not speak or read the language, and
so do not analyse or tear apart that which I play. Music is for me an
expression of a mood or feeling. I can do this on harp, which is a
wonderful intimate instrument for doing so. I feel the harp becomes
a part of you when you are in the groove. Far more so than guitar,
which I feel requires background knowledge and "speaking the
language" before it can express what you are wanting it to.

When I am playing I tend to play things which I couldn't even begin
to explain in notation or tab. Most of them I can't even remember in
detail afterwards. They just happen according to mood or where I am
taken by whoever I am jamming with. As someone who has never
performed (with the harp) on stage I do not know songs or riffs or
anything as rigidly imposed as that nor have I needed to.

I have a lot of learning to do in the ways of speaking the language
of music. I think this is a necessary thing to do in order to allow
me to overcome plateaus and ruts in my playing. I just haven't the
time to really devote to it. My knowledge is improving as a byproduct
of learning guitar though.

I am not implying my way is better or anything. I just feel that my
Blues are deep within me and if I can get in touch with them and
allow them to freely flow through my harp I can then express them for
others to enjoy. If others don't enjoy them that is sad but hopefully
they will still see the honesty in my music.

:-) This all started out as an "I agree with Chon" message.

I had better go and tear apart Borland Delphi now. :-)

Ceeya all.

Marcus Little