> Doug can get an absolutely screaming sound out of it, and can > bang out some big, punchily articulated notes. I was afraid to > try that, it being an expensive prototype and not mine. But I did > note that it felt powerful, and had the curious feel of being > both ponderous and flexible in action at the same time. And the > reedplates hadn't even been properly set up at the time. >
Has Doug or anyone else tried it in a full orchestra situation yet. I know Doug has played in orchestras with other chromatics where his technique provided enough volume. I was wondering wether the Renaissance was any easier ie provided for more control by going louder when required.