From: Winslow Yerxa <76450.32~ompuserve.com> Date: Thu, 15 Jan 1998 10:05:36 -0500 Subject: The Blues Recital
TO: internet:harp~arply.com
Bonfiglio encounters a young blues harpist in a Santa Barbara nightclub playing Little Walter solos note for note and is surprised at this curious phenomenon and a little disgusted.
Other respond that he's young; it's part of the learning process; he'll grow out of it.
So much for the nervous student hoping to get it right. But what about the dour, flinty-eyed judges writing copiously on their evaluation pads?
I mean, of course, the audience. Some audiences seem to demand just-like-the-record note-for-note recitals of blues tunes, just as they do for pop tunes - a blues cover band. The wrong idea? Of course, but it's out there.
Perhaps this is in inverse proportion to the player's self-confidence and ability to engage (or even steamroller) an audience. The young, timid player who's too busy getting it right to project authority and transmit rhythm and emotion to an audience will spur in them a demand for something, anything - how about the song the way they know it - that's an obvious concrete thing to fill the void when the performers aren't delivering anything they can latch on to.
Even a seasoned pro will have off nights, when nothing else seems to work and s/he falls back on the tried and true. Which for a player of little experience, is what was recently learned off a record.