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From: danpere~uno.com (DANIEL T PEREZ)
Date: Tue, 20 Jan 1998 10:44:12 EST
Subject: Re: harp-l-digest V3 #287

Hello Barry, I saw your advertisement for your CBH 2016, I would like to
post a bid of $225.00.
Dan

On Mon, 19 Jan 1998 21:44:36 -0600 (CST)
owner-harp-l-dige~oo.garply.com writes:
>
>harp-l-digest Monday, 19 January 1998 Volume 03 :
>Number 287
>
>Subjects in this issue are:
>
>RE: Kazoo or something (Rich Lyons )
>RE: Fwd: The Blues Recital/covers (Mike Curtis )
>CBH 2016 Now at Auction ("Barry B. Bean" )
>Where can you get replacement windsavers? (FlyByJ1 )
>Reply to: Amazing Grace (... and tips for beginners) (WIldcard
>)
>RE: ABA (Ken.Hinderan~llan.com)
>Re: ABA? (Robert V enables <106500.6~omputerize.com>)
>nasal harp playing (WIldcard )
>Re: Disherison and harp (Robert V enables <106500.6~omputerize.com>)
>Re: Modified Solo Tuned CA Diatonic (Douglas Tater
>)
>Re: Chord Mica (Ken.Hinderan~llan.com)
>re: whammed jammer (tha~th.it)
>Re: Kazoo or something (Douglas Tater
>)
>Re: Where can you get replacement windsavers? (Joe Ferguson
>)
>Re: Peg Leg Sam info? (Pat Missin )
>I've got a hohner 64 chromonica (professional model) chromatic harp
>that needs help (Mark )
>Re: Little Wind is not Little Walter (Ken Ficara )
>Magic Dick and whammed Jammer (WIldcard )
>RE: Amazing Grace (was Xerox machines) (Ken Ficara )
>Re: Chord Mica (BluesGeek / able.com)
>Junior Wells/Arrested Development (Ken Ficara )
>"His Best" vs. "The Essential..."
>(DAVID_BARNES / HP-MountainView-om1.om.hp.com)
>CX-12 tenor-tuned vs. Hering
>(DAVID_BARNES / HP-MountainView-om1.om.hp.com)
>Re: Where can you get replacement windsavers? ("Adam T. Valleau"
>)
>
>----------------------------------------------------------------------
>
>From: Rich Lyons
>Date: Sat, 17 Jan 1998 17:08:13
>Subject: RE: Kazoo or something
>
>At 10:39 AM 1/19/98 -0600, you wrote:
>>I believe the technical term is
>>"flatulist,"
>
>>Anyone ever try this with a harmonica? Now that would
>>keep people from grabbing your harps at the gigs...
>
>Sure wouldn't call it a "mouth harp" anymore...
>
>I *do* know a guy who plays harmonica through his nose... Lloyd
>Squires...
>Wouldn't borrow his harp either...
>
>
>Rev. Rich Lyons
>rev_rich / internetwork.net
>
>------------------------------
>
>From: Mike Curtis
>Date: Mon, 19 Jan 1998 11:48:24 -0800 (PST)
>Subject: RE: Fwd: The Blues Recital/covers
>
>On Mon, 19 Jan 1998, Welter, Ted wrote:
>
>> There are covers and there are covers. Ry Cooder has made a
>>career out of reviving old songs, both hits and obscurities, and
>making
>>them his own. If I could do with my harmonica what Mr. Cooder does
>with
>>his guitar (and his voice, and those wonderful musicians he always
>seems
>>to attract to his recordings), I'd be content.
>
>Exactly my point.
>
>Even though they're covers, you can ALWAYS tell it's Ry Cooder. Now
>I'd
>pay to hear him do Mustang Sally!
>
>
> -- IronMan Mike Curtis
>My CD "Doin' It All Myself" available in Tower, Blockbuster, Camelot,
>PX
>
>
>------------------------------
>
>From: "Barry B. Bean"
>Date: Mon, 19 Jan 98 15:09:07 -0600
>Subject: CBH 2016 Now at Auction
>
>I've decided to sell my CBH at auction. go to:
>http://komodo.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=4608799
>
>for the listing.
>
>BBB
>- -
>B.B. Bean - Have horn, will
travel bbbean / beancotton.com
>Peach Orchard,
MO http://www.beancotton.com/bbbean.shtml
>
>
>------------------------------
>
>From: FlyByJ1
>Date: Mon, 19 Jan 1998 16:17:29 EST
>Subject: Where can you get replacement windsavers?
>
>Can anyone tell me where to order replacement windsavers? I've
>experimented
>with different materials, but none seem to work as well as the factory
>originals. I'm restoring an old Chrometta to playable condition. But
>its
>missing most of its valves.
>
>Thanks for your help!
>
>- -Jim Miller
>
>------------------------------
>
>From: WLifford
>Date: Mon, 19 Jan 1998 17:08:08 EST
>Subject: Reply to: Amazing Grace (... and tips for beginners)
>
>In a message dated 1/19/98 14:34:44, you wrote:
>
><>Dickenson's poetry can be sung to Amazing Grace.>>
>
>Most of Emily Dickenson's poems can also, by the way, be sung quite
>well to
>the tune of "The Yellow Rose of Texas". Mrs. Benson, my 11th grade
>English
>teacher demonstrated this and was a big sucess. Despite our
>suggestions to
>take the act out to Vegas and stop giving us essays and themes to
>write, she
>continued to teach English and is now (I think) over 325 years old,
>and still
>teaching.
>
>- --Bill
>Montgomery, AL
>
>
>------------------------------
>
>From: Ken.Hildebrand / alcan.com
>Date: Mon, 19 Jan 1998 15:28:27 -0500 (EST)
>Subject: RE: A440
>
>- --Boundary_(ID_WwEBFRk5oSrOOXOefd2ulg)
>Content-type: TEXT/PLAIN
>
>Speaking of 440 etc...
>
>I dusted off my old Boss tuning meter the other day when I was home
>with a bum
>knee
>and thought I would try tuning up an old Lee Oskar E-flat harp (number
>9 blow
>was flat)--too many
>"Fishin Blues" played through it !!
>
>But I seem to recall from the paper that comes with the LO harps that
>said
>these harps are
>tuned to 441plus (is that 441 1/2 ?).
>
>Anyhow, I was a little disappointed because my meter only has settings
>for 440
>442 and 443,
>So I proceeded anyhow using 440.
>
>But just a waste of time anyhow since the reed was definitely cracked.
>
>Oh well...
>
>Happy Harpoonin !!
>Ken
>
>- --Boundary_(ID_WwEBFRk5oSrOOXOefd2ulg)--
>
>------------------------------
>
>From: Robert Venables <106500.642 / compuserve.com>
>Date: Mon, 19 Jan 1998 17:10:28 -0500
>Subject: Re: A440?
>
>>>> Mike Curtis wrote
> Lee Oskar harmonicas come tuned slightly sharp. Also,
>the notes are not perfectly "equal tuned" on diatonics, except the
>Golden>
>Melody. Most used "just tuning" or similar, to produce smoother
>sounding>
>chords while sacrificing a little melodically. >
>>>>>
> I thought LO's were equal tuned. Am I wrong? (again!)
> Rob V
>
>------------------------------
>
>From: WLifford
>Date: Mon, 19 Jan 1998 17:04:51 EST
>Subject: nasal harp playing
>
>In a message dated 1/19/98 14:48:39, you wrote:
>
><>Squires...
>Wouldn't borrow his harp either...>>
>
>I have done this on occasion, to prevent the very drunk slob who's
>accosting
>me from grabbing a harp and trying to play it. It's amazing how often
>people
>want to play through your harps! But not after they see you play a
>quick tune
>through your nose....
>
>Kind of gross, but it does work very effectively.
>
>Bill
>Montgomery, AL
>
>------------------------------
>
>From: Robert Venables <106500.642 / compuserve.com>
>Date: Mon, 19 Jan 1998 17:10:30 -0500
>Subject: Re: Didgeridoo and harp
>
> Seeing this topic brings back a party I played a couple of years
>ago.
>When a didg player stepped up there were a few nervous glances
>exchanged >
>between the band, but he was set up with a mike on the floor and
>started
>this wonderful pulse (in B, I think). The vocalist came in with ''Papa
>wa>s
>a rolling stone'' over the top. It was a magical rendition. Everyone
>(sax>,
>keys, 2 guitars, harp) seemed to to play exactly what was needed. We
>dropped out one by one ,just leaving the didg to finish. He only
>paused h>is
>circular breathing once to take a drink (it was my beer, but what the
>heck).
> >
> When it ended there was a stunned silence, followed by wild
>applause.
>Some experience. People who were there still talk about it!
>
> off to find a drainpipe
> Rob V.
>
>------------------------------
>
>From: Douglas Tate
>Date: Mon, 19 Jan 1998 22:46:15 +0000
>Subject: Re: Modified Solo Tuned C Diatonics
>
>Hi Phil
>
>At 13:01 19/01/98 EST, you wrote:
>>I like Winslow's modification on a solo tuned C diatonic
>
>Yup
>You may remember ... this was one of the three methods I described for
>learning scales the other day.... I got it from my old friend Ken
>Howells
> (Ken was a guy who played with the Morton Fraser group in the UK...
>BUT...
>if you were talking music with him at home, he had a vast array of
>instruments of all types, wood, string, brass, keyboard , guitars
>etc....
>you would talk tunes and he would pick up the nearest thing wherever
>he
>happened to be and launch int an improvisation on the durn thing....
>there was a REAL musician.... and his aim.... to make music, it's
>theory
>and practicalities accessable to the beginner.... he transmitted
>pure
>verve with his teaching (if you could call what he did teaching !!!)
>
>Makes sense to use the same system on a diatonic.
>
>Douglas
>
>------------------------------
>
>From: Ken.Hildebrand / alcan.com
>Date: Mon, 19 Jan 1998 15:19:51 -0500 (EST)
>Subject: Re: Chord Mic
>
>- --Boundary_(ID_7wP9PEM/xhVDQnwNbXnHoQ)
>Content-type: TEXT/PLAIN
>
>Hi Jonathon !
>
>I think most chord players use a microphone that is attached somehow
>to the
>side of the throat; maybe that's why chord players like to where
>turtle necks.
>I'm not sure what kind/brand of mic they use though.
>
>Ken Hildebrand
>
>- --Boundary_(ID_7wP9PEM/xhVDQnwNbXnHoQ)--
>
>------------------------------
>
>From: trank / ntt.it
>Date: Mon, 19 Jan 1998 23:42:43 +0100
>Subject: re: whammer jammer
>
>At 21.38 18/01/98 -0500, you wrote:
>>I've heard Nine Below Zero do an instrumental with many of the
>"Harpin'"
>>riffs, too, on an album from the early 80's.
>
>"Swing Job" - from Nine Below Zero 'Live at the Marquee', 1980.
>Harp: Mark Feltham
>
>Ciao,
>Paolo
>
>
>------------------------------
>
>From: Douglas Tate
>Date: Mon, 19 Jan 1998 22:27:05 +0000
>Subject: Re: Kazoo or something
>
>Sorry Mike...
>
>you said:
>>>He even played it before the crowned heads of Europe. (Le
>peto......>
>>I'm afraid to ask - but I'm even more curious.....
>>
>
>I failed to answer... but I see it has been more than capably done by
>others. One thing is certain.... He may have used pucker, but he
>sure
>as hell didn't tongue block.
>
>Actually...I suppose he might well have used the title of your CD as
>his
>motto well before you were born!!!
>
>:)
>BTW... if you go to Mike Polesky's party....Jan 30th, bring a CD and i
>will
>buy it.
>
>Douglas t
>
>
>
>
>
>------------------------------
>
>From: Joe Ferguson
>Date: Mon, 19 Jan 1998 17:49:47 -0500
>Subject: Re: Where can you get replacement windsavers?
>
>FlyByJ1 wrote:
>
>> Can anyone tell me where to order replacement
>> windsavers? I've experimented
>> with different materials, but none seem to work
>> as well as the factory
>> originals. I'm restoring an old Chrometta to
>> playable condition. But its
>> missing most of its valves.
>>
>> Thanks for your help!
>>
>> -Jim Miller
>
>Customer Service Department Hohner, Inc. 10223
>Sycamore Drive
> Ashland, VA 23005
> (804) 550-2700
>Joe
>
> Joe's Virtual Music Shop
> http://www.joesvirtual.com
>
>
>
>------------------------------
>
>From: Pat Missin
>Date: Mon, 19 Jan 1998 23:07:48
>Subject: Re: Peg Leg Sam info?
>
>Indiana wote:
>>
>>Does anyone know if the Trix label is
>>available in the USA?
>
>I thought Trix was an American label (but I could be wrong). The
>"Medicine
>Show Man" CD (Trix CD 3302) was recently listed in the Red Lick
>catalog,
>but I've just checked the current catalog and they don't seem to have
>any
>Trix CDs in stock at the moment. Sam also played harp on a Trix CD by
>guitarist Henry Johnson (Johnson having palyed guitar on Sam's album).
>
>Peg Leg Sam also did an album with Louisiana Red, called "Joshua" (not
>as
>good as "Medicine Show Man", IMO) - not sure, but I think it was on
>the
>Tomato label (Dutch, if I am not mistaken). I'll try and find some
>more
>details if anyone is interested. Sam (really name Arthur jackson) was
>an
>amazing blues player, as well as a great storyteller. If you are into
>trad
>blues harp, you shouldn't pass up any chance to hear him.
>
> -- Pat.
>
>
>
>------------------------------
>
>From: Mark
>Date: Mon, 19 Jan 1998 19:04:10 +1000
>Subject: I've got a hohner 64 chromonica (professional model)
>chromatic harp that needs help
>
>Hi all, My chromatic harp has a couple of blown reeds. i just
>purschased it a 4 months ago - is it covered by warranty?? if so
>where
>do i send it or who do I call. If not where can I send it to be fixed
>
>and how much is it going to cost me?
>
>- -mark
>
>------------------------------
>
>From: Ken Ficara
>Date: Mon, 19 Jan 1998 19:41:09 -0500
>Subject: Re: Little Wind is not Little Walter
>
>one also presumes these were strictly outdoor engagements...
>
>At 10:18 -0600 1/19/98, Will Jennings wrote:
>>Le Petomaine played 'music' out of his ass.
>>He'd suffered a swimming accident in his youth which left him with a
>>distended colon. He learned to take on air, store it, and using
>controlled
>>'breathing' and a sphincter able to respond to his 'ear', was able to
>play
>>many popular tunes of the day. He also extinguished candles from a
>>distance of 5 meters. He outdrew Sarah Bernhardt.
>>
>>One presumes he charted his own solos, but improved the ocassional
>>SBD.
>>
>>- -wjj
>>
>>
>>------------------------------
>
>
>=====================================================================>Ken Ficara ficara / acm.org
>
>"I prefer the happiness of [New York City's] unorganized
>imperfection."
>
> --Fiorello LaGuardia
>
>For more quotes, see: http://www.panix.com/~ficara/quotes/quotes.cgi
>
>
>
>------------------------------
>
>From: WLifford
>Date: Mon, 19 Jan 1998 19:25:51 EST
>Subject: Magic Dick and Whammer Jammer
>
>hello all,
>
>My take on it is this: since Magic Dick "wrote" or arranged the
>original
>tune, I guess he is entitled to do it note for note when he plays it
>live.
>I'm sure that that's the tune that will always haunt him, meaning the
>tune
>where, no matter what he plays, and how well, the audience will always
>want
>Whammer Jammer and not be satisfied until they hear it. It's really a
>shame,
>because I really love "Full Court Press", the instrumental on the
>first
>Bluestime album, and I'd really prefer to hear/see him do that one
>instead.
>(it's neat... he changes from Bb standard diatonic to chromatic, to Bb
>of his
>"big band" tuning, to Bb of his "blues band" tuning... though I can't
>remember
>exactly in which order. I asked him in 1995 or 1996 after a show he
>did).
>I must also say that Bluestime's other guitarist, Jerry Miller, is
>absolutely
>KILLER. His rhythm playing is superb and his one solo spanked Jay
>Geils
>silly!
>
>I've noticed the "play the jukebox" syndrome when I saw Clapton's
>Blues Tour.
>Despite ample warning that this was not going to be a "play the old
>favorites"
>tour, audience members were quite disappointed (and overly verbal
>about it to
>the point of being low-class) that he didn't play Layla or the other
>fav's.
>
>The canadian band Barenaked Ladies has a song called "Box Set" that
>very
>cutely describes the same phenomenon... can't remember the words
>exactly, but
>it's a snappy tune.
>
>Bill
>Montgomery, AL
>
>------------------------------
>
>From: Ken Ficara
>Date: Mon, 19 Jan 1998 19:40:44 -0500
>Subject: RE: Amazing Grace (was Xerox machines)
>
>At 9:51 -0600 1/19/98, Welter, Ted wrote:
>>...and you can do all of Emily Dickenson's poetry to the tune of the
>>Gilligan's Island theme song. Might be useful for college
>coffeehouse
>>literary crowd...
>
>Actually, there's something much more amusing if you're hanging out
>with a
>bunch of drunk literary-minded blues fans. Shakespeare, you see, wrote
>mostly in iambic pentameter, which just happens to fit the standard
>blues
>line very well, and, well, you can imagine the rest. Suffice it to say
>that
>harmonica fills can improve the average Shakespeare soliloquy, but
>only if
>you've had too much to drink to walk reliably.
>
>:)
>ken
>
>
>
>=====================================================================>Ken Ficara ficara / acm.org
>
>"I prefer the happiness of [New York City's] unorganized
>imperfection."
>
> --Fiorello LaGuardia
>
>For more quotes, see: http://www.panix.com/~ficara/quotes/quotes.cgi
>
>
>
>------------------------------
>
>From: BluesGeek / aol.com
>Date: Mon, 19 Jan 1998 19:56:48 -0500 (EST)
>Subject: Re: Chord Mic
>
>George,
>
>Thanks for the great info. I was thinking that the set up would be
>useful to
>players and harp vocalists, who could mount any mic, including a
>wireless to
>the chest plate for mobility. I understand that the mic is
>discontinued, but
>do you know if the chest plates are available?
>
>Thank you.
>
>- -dave
>
>George Miklas wrote:
>
>The mic is the now obsolete Shure 300, or 315 ribbon microphone. The
>
>bodies of two mics are disected, then reconstructed and mounted on a
>WW2
>
>Army Air Force chest microphone plate. There is no difference in
>frequency
>
>response between the 300 and 315, however in their stand mounting
>
>applications, the 300 has vibration isolator, whereas the 315 has an
>
>optional on/off switch. The freq. response is 300-20,000. Shure made
>one
>
>more ribbon microphone, and it was the 330, and its freq. response was
>
>20-20,000. The internal design was essentially the same, but the body
>was
>
>a little different and certainly was heavier. Like the 300, it too
>was
>
>built with a vibration isolator for the stand application. For many
>years,
>
>Johnny Carson used the 330, which was mounted to a desk stand and was
>
>placed on his prop. Many harmonica players use the 330 to remake into
>
>chest mic, however, they remain heavy.
>
>
>
>The Shure corp. has obsoleted this line of mics about 15 years ago.
>To
>
>find one would be like finding a dinosaur.
>
>
>
>The closest online photo would be in Danny Wilson's photo of the
>
>harmonicats in Omaha NE.
>
>
>
>George and Jodi Miklas
>
>email: harmonicat / pathway.net
>
>personal homepage: http://www.angelfire.com/pa/harmonicat/index.html
>
>George Junior Republic homepage:
>http://www3.pgh.net/~gjrinpa/frame.htm
>
>------------------------------
>
>From: Ken Ficara
>Date: Mon, 19 Jan 1998 20:46:39 -0500
>Subject: Junior Wells/Arrested Development
>
>On the back of 3 YEARS, 5 MONTHS AND 2 DAYS IN THE LIFE OF...,
>Arrested
>Development says that "Mama's Always Onstage" contains a sample from
>"Snatch It Back and Hold It." But I don't think it does. It sounds to
>me
>like they sampled the opening riff from "We're Ready" on side two of
>the
>album. Has anyone else noticed this or am I just crazy?
>
>Ken
>
>=====================================================================>Ken Ficara ficara / acm.org
>
>"I prefer the happiness of [New York City's] unorganized
>imperfection."
>
> --Fiorello LaGuardia
>
>For more quotes, see: http://www.panix.com/~ficara/quotes/quotes.cgi
>
>
>
>------------------------------
>
>From: DAVID_BARNES / HP-MountainView-om1.om.hp.com
>Date: Mon, 19 Jan 98 18:00:28 -0800
>Subject: "His Best" vs. "The Essential..."
>
>I'm going to get a few "best of" compilations from Little Walter and
>Sonny
>Boy II. Each artist has a 2-CD set called "The Essential _____" as
>well as
>a recent Chess CD called "_____ -- His Best". The former has twice
>the
>songs and costs twice the latter. I really like Sonny Boy and Little
>Walter, but do these "His Best" compilations give me most of their
>really
>good stuff? Or is the additional material on the "Essential _____"
>CDs
>worth the extra money?
>
>Subjective recommendations welcome...
>
>- - Dave
>
>
>------------------------------
>
>From: DAVID_BARNES / HP-MountainView-om1.om.hp.com
>Date: Mon, 19 Jan 98 18:16:05 -0800
>Subject: CX-12 tenor-tuned vs. Hering
>
>Sorry to post, but I can't seem to get the archives to search for "CX"
>
>I'm probably going to get a tenor-tuned 3-octave (not comfortable with
>a
>4-octave beast). Anybody have any experience with the Hohner CX-12
>tenor-tuned chro vs. the Hering tenor-tuned 501/48? Though I'm happy
>with
>my Hering standard C, tenor-tuned instruments might compare
>differently.
>And if the CX-12 is that much better, maybe it's time to "treat"
>myself.
>Anyway, how do they compare? Is the CX-12 worth twice as much as the
>Hering?
>
>Also, if one were buying a CX-12, any thoughts on the silver/gold vs.
>standard black model? Is the silver/gold that much better, as
>claimed?
>
>- - Dave "Counting Chros" Barnes
>
>
>------------------------------
>
>From: "Adam T. Valleau"
>Date: Mon, 19 Jan 1998 21:22:16 -0800
>Subject: Re: Where can you get replacement windsavers?
>
>> FlyByJ1 originally wrote:
>>
>> > Can anyone tell me where to order replacement
>> > windsavers? I've experimented
>> > with different materials, but none seem to work
>> > as well as the factory
>> > originals. I'm restoring an old Chrometta to
>> > playable condition. But its
>> > missing most of its valves.
>> >
>> > Thanks for your help!
>> >
>> > -Jim Miller
>>
>
>And Joe Ferguson replied:
>> Customer Service Department Hohner, Inc. 10223
>> Sycamore Drive
>> Ashland, VA 23005
>> (804) 550-2700
>
>======================================================================>Let me also suggest that, if possible, you telephone Hohner at the
>above
>number. I spoke with a representative who was very friendly and who
>understood what I was looking for. I asked for enough valves
>(windsavers) to re-valve 3 Koch/Slide Harps. The cost was $18 and I
>received three cardboard Hot Metal boxes chocked full of valves of
>various lengths. There were enough valves here to re-do NINE Slide
>Harps, easily! I think it was worth the $18, because a I got a really
>good supply. You probably will want to specify that you're re-valving
>a
>Chrometta. However, I re-valved an old red Chrometta 12 using the
>valves I just described. They worked fine. The only type of valves
>that were not in the sets I ordered are the extra long,
>"double-tipped"
>valves used on the lowest two or three holes of the Hohner 280
>Chromonica (and perhaps the other 16 holed chromatics). When I need
>to
>replace these, I'll have to order 'em from Hohner.
>
>
>BTW, as you all on Harp-l may notice in this post, my e-mail address
>has
>changed (again). I'm sorry for the inconvenience such switching may
>cause, but I've had numerous difficulties with MSN's service here in
>the
>Baltimore area. So, I've switched back to NetCom. NetCom might not
>have quite as many features as big ol' MSN, but its service was always
>reliable for me!
>
>Anyway, the new address is somewhat similar to the old MSN e-mail
>address (which is still active at this time but is not subscribed to
>Harp-l) at: harpnman / ix.netcom.com
>
>If you've saved my address, please note the change, and thanks!
>
>- --
>
>Regards,
>
>Adam T. Valleau, CIH
>(Yer Harpoon Man)
>Baltimore, MD
>
>Like to know about work place safety & health?
>(Er.. ever wonder what Adam REALLY does all day long??...)
>
>Visit us at our website: http://www.dllr.state.md.us/labor/mosh.html
>
>------------------------------
>
>End of harp-l-digest V3 #287
>****************************
>
>