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From: ewa
Date: Thu, 12 Feb 1998 07:38:55 +0000
Subject: Re: Vizualization

Harmonica5 wrote:

You wrote about Howard Levy,

"Apparently he's working on a technique where he just holds
his hands in front of his face and visualizes run of the mill sax solos
and the music just sort of appears." fjm

Apparently some of you Harplers have too much time on your hands and not
enough music theory in your head and heart that you feel you must
degrade Mr.Levy's contributions to the world of music.

If you feel Howard's music is inferior to other sax players, I recomend
you try to play or hum or transcribe his solos and musical compositions.
If you can't, show some respect and accept the fact you may not be the
right judge of this person.

If you feel you are truly funny, try taking a kl-ass in humor at your
local community school or get your GED finally. Your jealous attempts at
humor would be better spent practicing your major scales.

I can appreciate your attempted defense of Levy's rep Harmonica5 but I
wouldn't get my harp in an uproar, he doesn't need it. I think the
general consensus would be that Levy is a pretty amazing Harpist.

Howard seems to have encouraged the idea of "mind over harp" with some
of his statements and for a person of his accomplishments I for one
would take him seriously.

There is ,I think, a large mental component in music making and
vizualization is a major part of that. To have a clear vizualization of
just where and what your attempting to do may be the basis for
everything else.We all know of athletes and performers who hold
vizualization in high regard . Apparently Howard does too.
You may have heard the story of the GI who interred in a tiny cell in a
concentration camp , practiced his golf swing mentally and credits this
to his subsequent good shape and improved golf game after his release.

The reality of it seems to be that strong vizualization actually uses
the same neural pathways , neuroreceptors ,nervous system and
musculature, as the actual act .You can of course "vizualize "
incorrectly and just confirm your mistakes thus the necessity for "real"
practice with its concommitant feedback.

To someone like Howard who has all or most of the technical problems
worked out allready I think it's very much a case of ..."he just holds
his hands in front of his face and visualizes run of the mill sax solos
and the music just sort of appears." Of course there was much prior
preparation, years of it. Hell Mozart just drove around in his buggy and
all the music just floated down to him allmost without any need of
revision. We arn't Mozart or Levy but we can all profit from
vizualization and intelligence ( inter + leggere = reading between the
lines ). You need more , not less of that component in this medium.If
you do that I think you'll see admiration not jealousy in the humor (
mabye a little envy).
And of course practice , practice, practice with the right
vizualization not just practising mistakes.

I'll forgo the kl-ass in humor thx, tho I appreciate your attempt, I'll
save up for a Meisterclasse chrom( I'll be getting a Renny with money
from my debut Doug.....drw #2 and hold ..indef :)

I hope i've made some sense.Prob not , a'int you glad you wrote?:)

Eddie

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