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From: Roy Briere
Date: Sat, 31 Oct 1998 23:55:02 -0500
Subject: a ferrous resonance with Doug

Hi,

In ref. to glottal stops and harp aging...all I can
say is Amen!

I think the best thing I learned in years (and I
can't really recall how) was getting volume and/or
bends with less breath and exertion. If you asked me
if I used the technique Doug described yesterday, I'm
not sure what I would have said...but if I pay
attention, I seem to. I also think it compensates for
my lazy tendency to not use harder articulations much
(ta da ka vs. wa ha la ... sounds kinda Hawaiian?)

It's natural at first (and for quite some time when
bending in my case) to be too harsh playing.
I no longer wipe out reeds (like 4draw) in the way I
used to... I remember being proud I learned to tune
harps and pulling out some old ones, only to find them
unsalvagable (at my repaar level at least) apparently
because the reed was just too stressed to tune up well.
Nice vibrations are coll with metal, but the human
respiratory tract can do some excellent metal fatigue
work also!

I also go back to my miscellaneous old harps now,
and they all sound OK, even if I thought they were
hard to play when I bought them years ago.
(I found Silvertones esp. hard to control when I bent
like a asthmatic on speed...now, they're fun!)

SageAdviceFromSomeoneNoBetterThanYouButProneToDictums:
Learn to bend while drawing very softly...just add it
to the 'important goals' list if you don't get it soon
enough; don't drop it forever!

I wonder if others have similar experience in bending-
induced premature aging becoming less of an issue with
better technique.
(I'd ask Doug, but perhaps he considers Blues a quaint
custom only a former colony could love. But I bet
he goes out and wails in the potting shed when no one
is watching! Anyone got a bootleg?)

So as much as I hate to resonate on the resonance
thing, lest people insist my nick change to Rusty,
I must! (esp. as a practicing physicist)

Blind Iron BBQ Grill Boy Quantum

'Better than 99% of people at Quantum Field Theory'