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From: joy_t~uno.com
Date: Wed, 7 Apr 1999 19:50:52 -0700
Subject: #7 Overdraw

This is one I've been working on for what seems to be a longggg time.
I've got my practice harp gapped right what seem is the edge of choking.
I have to hit the draw hard for it to sound, a little one won't do it.
I know the embroucher perfection will help, but it sure seem difficult.
Also, if I don't keep my tongue real close to the hole, I bend the note
up(down) to where #8 draw is at. It seems to me the true #7 overdraw is
the
same note as a blowbend on #8. If I am right on this, why is this
overdraw so important? Why not replace it with the #8 blow bend which is

easy to get? Any input is well come before I swallow my teeth on this
one.
- -- Reed my lips "Save The Wail" -- Denis Aldrich

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